Marc Rosenbush called me this afternoon and said "Why didn't you tell me Corinne won an Oscar?" and I suddenly felt just as I had in third grade. See, Marc was on a plane Sunday night so he didn't see the Oscar ceremonies, but I did, and when he called later I told him the major winners. But I didn't tell him Corinne was one of the winners because I simply hadn't noticed.
Here's a picture of what I saw but did not register:
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That's director Eric Simonson on the left, and producer Corinne Marrinan on the right, clutching her Oscar. They won for Best Documentary Short, for A Note of Triumph: The Golden Age of Norman Corwin (which I have not yet seen). Eric Simonson is a noted stage director, a Tony nominee some years ago, and I met him once, maybe twice back in Chicago. So on the Oscars, when Eric's name was called I immediately said "Wait a second, is that the same Eric Simonson?" Because the name is just common enough that I couldn't be sure. And then when they won, and went up onstage, I was still stuck in trying to figure out if that Eric Simonson was the same Eric Simonson from Chicago. He looked like him, but I still wasn't entirely sure. This process was so absorbing that I completely failed to notice that the person standing next to him, whose name had also been called, was someone who in fact I do know.
It's not that I know Corinne all that well--for a while she dated my friend Marc Vann, who is also a Chicago guy, so I had met Corinne several times through him, plus Marc Rosenbush hired her to stage manage the big Beckett festival that Splinter Group mounted ten years ago. I last saw Corinne when she and Marc Vann held a joint birthday party here in L.A., maybe two years ago. But she is an absolute gem, I always liked her plenty, and since her name is of course far more distinctive than Eric Simonson's, how on earth did I completely fail to notice her even when she was standing up there on international TV?
Because I once played Mr. Brown, that's why.
Congratulations to Corinne. Very richly deserved.
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